The Arabic song remains as an artistic embassy that represents us abroad beautifully, as it is inside an artistic circle that translates our hopes and pain, and speaks in our tongue in an artistic way that is attractive to our hearing and feelings, to the extent that it sings us when he combines kind words with fresh and purposeful melodies.
Despite the superficiality of some songs that do not satisfy our taste, and do not attract our listeners to them, there is something that we have optimistic, when the owners of literary and musical talents come to us from time to time with distinctive songs that amount to magnificence in terms of word, melody and performance.
Perhaps the Arab lyrical festivals that are held in this or that Arab country, constitute the artistic environment incubating the birth of such songs committed to the national and human concern, and expressing the national dream that sometimes appears to be out of reach, and bring us a beautiful song, melody and performance, so we make us optimistic about its achievement.
But there is a legitimate question that arises, which is: Have we reached the Arabic song worthy of our representation abroad the best representation as an ancient Arab nation, which has its values and social ideals, and its national and national aspirations, and it is not underestimated by its authentic musical and lyrical heritage throughout the ages?
In fact, despite the accumulated lyrical achievements here and there, we still need lyric poets who are experienced in writing the song expressing our social issues, heritage, dreams, and our future aspirations. We also need bitter musicians who are able to upgrade the Arabic song, and to preserve its artistic position that we would not have reached had it not been for the presence of pioneers, they have a superior ability to be creative and innovative, especially in Arab Egypt, which was and still is the always prepared for the birth of the leading and committed Arabic song, and that is in its artistic authenticity interacting with international music among peoples and other nations, without neglecting its originality And its ancient musical heritage.
And do not forget that we live in a troubled era, full of signs and challenges, which require us to work to develop our songs and enrich them with all good and new, taking into account the necessity of innovation and renewal, without managing the back because of the wonderful songs that we interacted with in the past, and we loved them, and we repeated some of its beautiful and attractive clips in front of children and grandchildren.
Refer to heritage
Here we can shorten the distance and time in the artistic career that aims to advance the Arabic song forward, and this requires us to take the curriculum of the comparative art between the old and the new of our songs, but after we have written something distinctive and reasonable, we have prepared for him a beautiful melody that meets it. Here, we want creative poets and composers as well, who come out to us with new lyrical works, which reflect the concerns and aspirations of the Arab person, whatever his cultural level, and wherever it is, inside or outside the Arab world in the Diaspora.
Whether with the classical or colloquial word, those with artistic affairs in our Arab world must dive into the depths of our popular heritage, and our ancient and modern civilizational history, full of victories, arguments and confrontations, which combine weddings and sorrows, and the legitimate aspirations and dreams that we sought to achieve and are still. We are still in desperate need of influential and glowing lyrical works, touching our feelings, expressing our aspirations and dreams, and our current issues that always occupy us.
It is necessary to compare the new songs with the chronological songs, to generate the necessary feeling by making flourishing and fruitful artistic efforts, in order to reach the most appropriate and most beautiful song. After this and that, we are in a good condition that enables us to compare our lyrical achievements with the accomplishments of other nations, without sharing or leaving them, at the expense of our oriental music, our authenticity, and our singing civilizational values, emanating from our environment, our customs, and our traditions, which must reflect a bright and pure image of our civilized identity.
Here, it is necessary to grow and grow a feeling that accompanies us, that lyric art is a lofty societal message, refining the taste of society, raising it, and calling it to reach it to the highest levels of belonging and development, giving and civilized construction, with vitality, comfort and great optimism. The song that delights the mind, stimulates the will, gives optimism, the surgeon, and relieves the burdens and worries, contributes undoubtedly to causing a qualitative shift from societal progress and civilizational prosperity.
If this is the case, it is necessary to preserve the artistic and literary level of the desired Arabic song, away from the phenomenon of artistic gain and trading, which enrichs the pockets of some singers and composers, at the expense of amateur pockets and admirers of their naive, flat songs, lacking the survival of their subsequent effect on the souls and hearing, as its effect ends with the end of the ceremony or the festival.
Open the way for responsible creativity
Hence, the opening of the responsible and socially and socially committed song with the concerns and dreams of the country and the citizen, at the local and Arab levels, has become necessary. So this section opened a wide lyric and committed lyrical poet, an inspiring and committed composer, a believer singer with nobility and highness the artistic message he performs, closes in return the lyric market market crowded with merchants and brokers throughout our great Arab world, even temporarily, in order to make the natural atmosphere of lyric creativity, enhanced by meeting the good and creative poet, with a good and innovative composer, Use his voice to serve his environment, society and country.
In this natural atmosphere, and under the umbrella of this triple commitment, the distinguished song is made by its quality, the strength of its attraction, and its impact on the hearts of its followers, its admirers, and the hybrid for its praise, and the compliment of its creators and producers.
At the end of the talk about the Arabic song, we do not miss the attention to the humility and the small efforts aimed at developing our Arabic songs, and enriching them with all that is good, new and impressive, especially as we see the great composers in the Arab world, some of them left his creativity in our hands and left, while others rested on the top of his wonderful and glowing musical giving, declaring silently from his satisfaction with what was presented and produced, without continuing the art of art With a better and beautiful future.
The field remains favorable and open to everyone who feels jealous of the future of the Arabic song, and he sees it ranged from time to time without progressing, and we still have energies and artistic aspirations that are optimistic, composed and produced He gathered around his admirer fans, and his delete with great interaction.